Morbus Sacer
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Mixed music · 2024

Morbus Sacer

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Morbus Sacer is inspired by epileptic disorders and constructs its musical language around the cycles, ruptures, and sensory distortions associated with a seizure. The vocal writing takes the form of a controlled improvisation developed collaboratively with the performer, unfolding across three distinct sections that mirror the stages of epileptic experience.

The electronic layer incorporates multichannel recordings encoded as fourth-order Ambisonic streams and processed in real time with Panoramix, creating an immersive sound field that surrounds and reacts to the performer. The spatial behavior of the electronics mirrors the instability of the vocal writing, shifting between focused trajectories and diffuse, enveloping textures.

A motion sensor (R-IoT) attached to the performer's right hand controls the Disklavier via MIDI in real time. Movement data is mapped to Max for Live modules that translate gestural impulses into mechanical responses, functioning as analogies for the involuntary muscular contractions characteristic of epilepsy.

Section I
Dostoyevsky
Manipulated passage from The Idiot, altered to reflect the gradual destabilization preceding a seizure.
Section II
Syllabic series
Syllables derived from French consonants and vowels, serially organized to model the agitation of a crisis.
Section III
Pseudo-words
Randomly reassembled syllables evoking the post-seizure state in which coherent speech becomes momentarily unattainable.

— Video documentation

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